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    | From a Bare
      Hull:  Cabin Trunk
      Carlin (Page
      2) |  
  
    | Test Fitting and Sizing the Curved Carlin
 
  The
      laminated piece, as it came from the mold, was covered in a large amount
      of glue squeezeout on both sides, so my first step was to clean up the
      curved beam with a borrowed power planer (handheld) and my sander. 
      With that done, I measured for a centerline and then moved the piece into
      the boat, where I clamped it in approximately the correct position with
      the forward edge tangent to the last full-width deck beam and the sides
      supported on top of the forward bulkheads.
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  The
      next step was to properly align the two sides of the piece so that they
      were the same distance from the edge of the hull on each side, measured at
      the forward bulkheads.  After a few minor adjustments it was even,
      and I made some reference marks.  The carlin was designed to sit on
      the bulkhead for added support, but I had to cut notches out on each side
      to allow the carlin to sit at the appropriate height--equal to the height
      of the underside of the eventual deck sheathing, or the same as the tops
      of the deck beams.  To determine this height at this location, I ran
      a string from a previously-made mark on the amidships bulkhead, which
      correlated with the proper height, forward to the first deckbeam and
      clamped it tight.  Then, I measured down from the string a distance
      equal to the height of the carlin.  With this mark, in conjunction
      with the marks indicating the inside and outside edges of the carlin, I
      made the appropriate cuts in the bulkheads.  Then I made a plumb cut
      down the bulkheads to trim some excess from the inside edge, as the
      bulkheads should be even with the inside of the carlin, and the way the
      physical pieces ended up was slightly different than how it ostensibly
      should have been on paper.  Slight modifications such as this are par
      for the course in a seat-of-the-pants type of construction.
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  Next,
      I had to figure out where to cut the curved piece so that the remaining
      carlins--those that define the edges of the cabin trunk and cockpit--could
      conjoin properly.  What I wanted was a smooth, flowing curve on the
      inside edge.  To determine where this joint should be, I mocked up a
      carlin with a length of scrap pine.  I clamped the pine on top of the
      after two bulkheads, aligned with some marks I had made earlier showing
      the location of the carlins,  and then worked on bending and forming
      the forward edge so that I could create the flowing curve I was
      after.
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  Bending
      the pine here and there with clamps, I eventually pulled it into a
      pleasing shape that satisfied what I was looking for, so I made some marks
      on the top of the carlin.  Bending, observing, and adjusting took the
      better part of an afternoon; it's these tasks that seem to be slowest,
      with the least visual progress, but they are critical to the overall look
      and ultimate construction of the various components, so I never rush the
      process.  Knowing the second (starboard) side should be more or less
      identical to the port, to to help me locate the same spot on that side I
      made reference marks where the carlin passed over the forward bulkheads,
      so that I could use it as a known reference point for measuring.
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    | 
  This
      photo show the "tangent" line that I created with my pine
      template.  For observation purposes, please ignore the line of the
      pine board to the left of the forwardmost (lefthand) orange clamp, as this
      position has nothing to do with how the board curved.  The tangent
      line is located approximately in line with the lefthand clamp in the
      picture.  With a little vision, one can see how the carlin line
      (which, in this view, is the defining edge of the cabin trunk, once built)
      should sweep cleanly forward (left) and merge neatly into the curved
      forward section of the carlin at approximately the lefthand clamp
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  This
      shows the same area from a different vantage point.  The tangent mark
      is just this side of the further orange clamp. When I was happy with the curve I had
      created, I traced the board onto the carlin beneath, and removed the
      various pieces, bringing the curved carlin down to the bench to make the
      final cuts. |  
    | I planned to build the remaining carlins of
      three layers of 3/4" mahogany on edge.  In this manner, I could
      make up unlimited lengths (the side carlins are nearly 15 feet in length)
      by staggering the joints on the boards and laminating them together in
      place, much as I did with the sheer clamp. 
      Given the bends needed in the carlins, I figured it would also be easier
      to bend them into shape a piece at a time.  The laminated carlin
      design would also allow me to create an easy-to-build staggered joint at
      the curved carline, which joint would be extremely strong when glued but
      simple to install.
  To
      make the cuts for this joint, I built a small jig from three pieces of
      3/4" pine.  Using the tangent mark on the curved carlin as a
      guide, I staggered the three pieces of pine (each representing one of the
      laminations of the eventual carlin) in an appropriate manner so that the
      end of the first (inner) piece ended up in the proper location at the
      tangent line, and the outermost (third) piece ended up flush with the
      outside of the carlin.  The overlap for  each piece ended up at
      exactly 2".  I screwed the pieces together and marked out the
      stepped shape, first on the port side and then on the starboard by
      flipping the jig over and remarking on the other side.  I used my jig
      saw to cut out the stepped shape on each side.
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  In
      this case, the inner edge of the curve is the one to which I needed to
      match the sides for a smooth transition, so the outer curve will not be as
      smooth a transition--nor does it have to be, as it won't be seen. 
      But the inner edge should end up as a smooth, visually seamless curve. |  
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